a catalogue of contemporary classical composition
2025 — What Follows — Hyperorgan; 10'
2023 — Fort Triangle — Guitar — 4'
2022 — Cutting, Striking, Grafting — Piano; 25'
2021 — Hypha — Cello; 12 min.
2021 — Wounded Landscapes — Piano; 37 min.
2021 — Societies of Solitude — Piano; 35 min.
2018 — phenomenon; exaltation — Baritone Saxophone; 7"
2017 — Languid Estaticity — Carillon; 3'
2015 — Unforeseen Etymology — Guitar; 9'
2025 — Prismatic Horizons — Flute, Clarinet, Vibraphone, Piano, Violin, Cello; 15'
2025 — Spéculation — String Trio and live electronics; variable (approx 7'-12')
2024 — Cyanic Bloom — Flute, Frame Drums, Harsichord, Cello; 15'
2024 — Striation — Bass Flute and Rocks; 7'
2022 — Ochre — Flute, Piano; 13'
2021 — evocation; Intimacy — Piano four-hands, Electronics; 40"
2019 — Supplanted Doubt...let's become alloy — Violin, Cello, 2 Percussion, Piano; 8"
2019 — Variable Aerobic Verbosity — Clarinet Quartet; 9"
2019 — how, the epistemological was precipice — Flute, Alto Saxophone, Baritone Saxophone, 3 Snare Drums; 16"
2018 — is serenity, anxiety, music — Soprano, 3 Soprano Saxophones, Bass Clarinet, Pianet, Double Bass; 12"
2015 — The Man who Ran From His Shadow — Woodwind Quintet and Speaker; 3"
2019 — Verge, Resolve — solo performance for amplified speaking cellist; variable lengths
2015 — auto_genesis — dynamic digital graphic score for open ensemble; variable length
2015 — Blastdown — musique concrète; 2"
2014 — Infinite Goldberg — Infinite variations on the Goldberg Variations using random number generators and probability matrices; variable lengths