Education
- 1998 - 2007 Studied Classical Cello with Julie Myers-King
- 2004-2007 Contemporary Youth Orchestra
- 2011 Graduated magna cum laude, York University (BFA of Fine Arts)
- Focused on contemporary performance practice and composition
- Studied jazz cello, improvisation and new music performance and history with Matt Brubeck
- Studied classical cello with Mark Chambers
- Studied improvisation and musicianship with Casey Sokol
- Studied composition with David Mott
- Studied contemporary technology and art with Marc Couroux
- 2024 - Current composition Master at The Royal Conservatoire The Hague
- Studying composition with Yannis Kyriakides and Calliope Tsoupaki
- Research supervised by Alison Isadora
Notable premieres as composer
- (2025) Prismatic Horizons for mixed esemble.
- (2025) Spéculation for string trio and live electronics
- (2025) What Follows for Hyperorgan
- (2022) Ochre, for flute and piano or harpsichord, written as part of the Canadian Composer's Orchestra Digital Generations program.
- (2021) Hypha, for solo cello, written as part of the 2021 SOUNDscape summer festival.
- (2020/2021) Wounded Landscapes, three pieces for solo and duo piano, evening's length set of compositions
- (2020) Evolutionary Traits of Birds, collaborative film/music project co-composed with Ernesto Cavazos, Sarah Graves, and Mark Gurrola
- (2019) Supplanted Doubt...let's become alloy.... for strings, piano and percussion, written as part of the 2019 Neif-Norf summer music festival
- (2019) Variable Aerobic Verbosity, commissioned by the Vientos Dulces clarinet quartet for the Oh My Ears festival in Phoenix, AZ
- (2018) how, the epistemological was precipice for mixed ensemble; as part of the Waterloo Region Contemporary Music Sessions
- (2018) phenomenon; exaltation for baritone saxophone; Waterloo Region Contemporary Music Sessions call for scores winner
- (2018) freedom HALmediation, co-composed with mixed ensemble as part of the Montréal Contemporary Music Lab
- (2018) is serenity, anxiety, music for mixed ensemble; as part of the Toronto Creative Music Lab
- (2018) AutoGenesis:X, for improvising ensemble; Comissioned by Open Circuit (Liverpool,UK)
- (2017) Languid Estaticity for carillon; presented by Open Score and the Canadian Music Centre
- (2015) auto_genesis: striker for 1 to 4 percussionists; as part of Array Music Young Composer Workshop
- (2015) Unforeseen Etymology for classical guitar; as part of the Class Axe Guitar Workshop
- (2015) Blastdown musique concrète; presented by Open Score and the Canadian Music Centre
- (2015) The Man who Ran From His Shadow for woodwind quintet;presented by Open Score and the Canadian Music Centre
- (2015) IGNITE experimental open house and presentation, collaborative installation for cello, 2 voices, laptop and movement
- (2014) Auto-Genesis: Strummer for 2 guitars and electronic score;presented by Open Score and the Canadian Music Centre
As Band Leader
- Jelly Ear, creatively open Medieval music
- Various line-ups
- Imaginary Flesh, longform kosmische musik;
- Andrew Collins: Synth
Lisa Conway: Electronics
Robert Grieve: Guitar
Cory Latkovich: Bass
Karen Ng: Saxophone
D Alex Meeks: Drums - Recorded 1 full length album—Seven Haab out of Xi Böotis
- Andrew Collins: Synth
- Clarinet Panic Scrappy chamber Rock;
- Cory Latkovich: cello
D Alex Meeks: drums
Karen Ng: saxophone (formerly Ruhee Dewji and Edwin Sheard)
Sebastian Shinwell: guitar - featured in the 2014/2015 Music Gallery Emergent series
- U.S. and Canada tour in April 2014
- Recorded 2 E.P.s RW//GF (2013) and No Tasseomancy (2014)
- Cory Latkovich: cello
In the studio
Cory has played as a session musician and has assisted in arrangements for numerous artists including LCON, Luka Kuplowsky, Jordaan Mason and the Horse Museum, Fucked Up, KASHKA, Ducks Limited, among many others.